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Game Review: Sleaford Mods' Jason Williamson Takes On Character in Sceptical Examination at Ecstasy Generation Era

Helmed by Portishead co-founder the musician-producer, this scabrous though undernourished debut feature casts a critical gaze on the ecstasy-fueled club scene. Venal drug user David (the actor) first robs an passed-out supplier, then in a later recollection tries to break into his own parents. In no time, he's overturned in the remains of his car in a woodland – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Darkly Funny Confrontation

The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The bigger point – that the rave-era youth were mainly focused on number one – is firmly made. But these brief episodes are too thin to properly prime us for what to expect when the Poacher arrives, enraged after David strangles his dog. Still, a grimly amusing standoff unfolds – David eager to get away; the Poacher withholding his jerrycan of cider, determined to soaking him instead in embittered discourse. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.

Visual Flair and Promo-Inspired Sensibility

Just a single key story turn, but it results in a comically executed chaotic run on the woodland paths that dips close to folk horror. Director John Minton finally gets to go all in with his showy imagery: where he was focused intently doing artful shots of bugs in headlights in the early stages, he now goes all out with the full lysergic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.

The film releases in UK and Irish theaters from November 17.

By

Timothy Jones

A Milan-based historian and writer passionate about uncovering and sharing the city's storied past and cultural treasures.

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